Call for ONB Labs Web Residency 2022.
Deadline for submissions is 19. 04. 2022.
ONB Labs is pleased to announce our Web Residency programme 2022. The programme is part of the Open Digital Library project and funded by the European Union.
We invite artists to submit a proposal for a six-week Web Residency project related to our digital collections of “Wiener Zeitung” (1780-1881) and/or of aerial photographs from the 1930s “Österreich aus der Luft”. The proposed project should aim for a critical and creative engagement with data sets from the ONB Labs, culminating in a web-based work that will be exhibited online in the ONB Labs Artspace.
Artistic approaches of all formats, whether they might be digital, physical, sculptural, poetic or conceptual are encouraged; the only requirements are that the final result needs to be exhibited online and relates to the ONB Labs collections of the call. For further informations about collections and available data see the call on the Labs Website.
Selected projects will be supported with 850 Euro for the final artwork.
Timeline & Application
CALL OPEN UNTIL 19.04.2022
SELECTION UNTIL 26.04.2022
WEB RESIDENCY 02.05.2022 – 12.06.2022
A sneak peek into the process of making an exposition for the KB Atelier
The students of IMD are divided in 4 groups: each group will make a prototype according to the assignment (the alba amicorum collection of the KB).
You can follow their process via these URL’s:
Group 1: https://smooth-clutch-fae.notion.site/Client-assignment-bcee7ea3843c46378411d4d4b72ae134
Group 2: https://www.notion.so/TEAM-JETA-117f694817ef4a19ab3b4b893253997d
Group 3: https://elastic-production-d21.notion.site/Group-3-2c3f42349c4444c7a376222154d74855
Group 4: https://www.notion.so/NOVUS-NEXUS-c017e0df054346edb77d088261c8c99a
On Monday, 21 February 2022, students from the Master Non Linear Narrative and the Bachelor Interactive / Media / Design departments of the Royal Academy of Art visited the National Library of The Netherlands (Koninklijke Bibliotheek). This day we organized a kick-off for a semester-long collaboration, during which students will research the library’s comprehensive catalogue of alba amicorum (friendship books) with a view to making these resources accessible to a wider audience (like e.g. other makers, creative users). These projects are a follow-up to the project with the KABK’s IAFD department.
The kick-off started on site, with presentations by several restoration experts. These talks were followed by a guided tour of the library’s large-scale storage depot. The program was completed by talks on user accessibility within an open digital context. In order to understand the significance of the alba amicorum collection and gain insight into how archives can function as a source of inspiration for new cultural creativity, students attended presentations by Rianne Koning, Coordinator Public Programming, Jeroen Vandommele, Curator Modern Manuscripts, Sophie Reinders, Assistant Professor at Radboud Universiteit Nijmegen and Dick van Dijk, Creative Director at Waag Society.
[Photo credits: Roel Backaert]
15 graduating students of the Interior Architecture and Furniture Design department developed interactive spatial experiences for the visitors of the KB by exploring the unique collection of the alba amicorum, the friendship books from the 16th century and beyond, which can be seen as predecessors of today’s social media.
Film credits: Medina Resic
This poster is one of the deliverables of the project with the IAFD students. All 5 projects are summarized in this poster. Credits for the production of this leaflet goes to: Tariq Heijboer & Anne van den Dool, commissioned by the National Library of The Netherlands (KB).
The KY-O-MI concept makes it possible for the library to expose their digital collection at a satellite location. For example, at the train station or during an event at a university. The inflatable installation creates two access point to the digital collection of the library to allow data exploration in a social setting.
Student team: Dorrit Huijskes, Eva Jonkers, Gloria Orcan, Kenwyn Hoefnagel, Loes de Vries, Vivian Nguyen
Interactive Environments minor edition 2021-2022
In the 2021-2022 edition of the Interactive Environments minor they collaborated with the KB National Library to develop 5 concepts as an answer to the following design brief. Traditionally, libraries are strongholds for people who enjoy consuming tangible content. However nowadays, more and more content is being published digitally and analogue collections are being digitalised. And thus, the question arises: how can libraries adapt and thrive in the future, while also bridging the gap between their physical and digital collections and spaces?
The first collaborative project with students from the Royal Academy of Art, The Hague (KABK) has been successfully completed. This collaboration, part of the Open Digital Libraries project, revolves around making the KB collection more visible and findable.
The first results
In recent months, the first group of fourth-year students from the Interior Architecture and Furniture Design bachelor’s program have been working on making the KB collection Alba Amicorum (friends’ books) attractive. The (digitized) seventeenth-century album by Jacob Heyblocq, rector of the Latin school of Amsterdam, is central to the research. From December 16 to December 23, the five installations are set up in the KB Atelier. On January 22, subject to possible corona measures, it is possible to view the results during the open day in the KABK.
Collaboration between TU Delft and KABK
In order to achieve the objectives, we have started a collaboration with TU Delft and KABK. Students from both programs dive into our digital datasets, our physical and digital collection (from Delpher, to manuscripts, to the web archive) and engage them in conversation with users, students. In this way they hope to be able to map out what national libraries can focus on when it comes to making the treasures that are preserved more visible and tangible. After all, how do you make it clear that the collections of national libraries are owned by and for everyone?
From January, a new group of KABK students will continue to work on the question of how a digital collection can be presented to the public. In due course we will share information on how you can get involved, view the results or think along with the students.
KABK-IAFD «Secret Garden»
By – Joshua Holetz, Louise Spisser, Deandra Jauw, Youbin Kang, Victor de Groot
The women albums at that time have some interesting qualities. First, these albums are made in very intimate contexts: the albums remain in the house of the holder and very little people (mostly family members, close relatives or friends) are asked to make something for it. Even though the women albums of the nineteenth century are not as private objects as the albums of the seventeenth century, they are definitely more personal. They are indeed very refined objects, gathering real pieces of art like embroideries and other craftworks that highlight the skills of the maker. As a result, it is a very precious object in the eyes of the owner.
For this project, we have chosen some key visual elements that kept appearing in women albums of that time. The most obvious one is «flowers». At that time, it wasn’t a common thing to associate women with flower, so researchers assume that their appearance may be more related to the idea of nature as inspiration when learning how to draw or linked to the Romantic era, when returning back to nature also meant embracing the ephemerality of life. The two other themes coming forwards that we decided to highlight are textures, from the use of hair or embroideries and cut outs from the very refined punched pages.
By – Chloe Snoeks, Hyemi Lee, Sarang Han, Yunjia Zhou
The project stemmed from our distinct experiences and interpretations of the Alba Amicorum. We saw the Alba as a medium for time travel to network with the people who contributed or owned these books. Networking is a central concept to us, a natural instinct of human beings. Despite being centuries apart, these Alba figures were quite similar to us.
To those in the present day, we think “they were the same as us.”; to those in the past, they think “you still do what we did”.
Four individuals extracted from the 17th century were “revived”. They inform us about the Alba contents: Jacob Heyblocq as the representative, Anna Maria van Schurman as the moderator, Jacob Cats as the contributor, and Crispijn de Passe as the maker. These four were transformed into modern avatars. Avatars are used as a method to contemporise history by bringing the past to the present, and upgrade the past figures to current and potential future time periods. The KB building will thus become a bridge between two timelines, to allow present and past to be together and interact in the same space. We see this digital theatre as an opportunity of the future library.